Accepted Presentations to the Multiculturalisms and the Arts Conference in Alphabetical Order
Winny Ang (Canada): I.D. VIDEO: a video-art pilot project for migrant youth in Montréal
Maria Argyriou (Ionian University, Greece): "Mine" and "other": Cultural policy in the field of Αesthetic Εducation
Michael Berry (Turku School of Economics, Finland): Where’s the Cultural Meaning?
Denise Borille de Abreu (Federal University of Minas Gerais, Brazil): No Woman’s Land? Women’s Writings and Historical Representation in the First World War
Giacomo Bottà (University of Helsinki, Finland): Ourvision: Helsinki, Popular Music, and Cultural Identities
Dahlie Conferido (University of California, USA): Importing the Other: The Uncritical Multiculturalism of American Primetime Television.
Jui-Pi Chien (National Taiwan University, Taiwan): Uni- and Multidimensional Semes: Analogies of Musical Compositions, Magic Lantern Slides and Allegorical Paintings in Ferdinand De Saussure’s Writings in General Linguistic
Su Erol (University of Galatasaray, Turkey): Living and sharing together. A case study of a multicultural city: Mardin
Irene Eynat-Confino (Tel-Aviv University, Israel): From the Multidimensional to the One-dimensional Discourse: Multiculturalism and American Musicals
Kevin Fellezs (University of California, Merced, USA): Fusion-ing: Transcultural Sound Transmissions
Carina Fernandez Bohn (Universidade de Santiago de Compostela, Spain): Spics among Aussies.
Leslie C Gay Jr (The University of Tennessee, USA): Danish Subjectivities, Multiculturalism, and the Boundaries of Rytmisk Musik
Heidi Grönstrand (University of Turku, Finland): Racial bodies and making the Finnish nation.
Jonathan Hadley (The Police College of Finland, Finland): An authentic multiculturalism: Can we still talk of ‘incorporation’?
Eirik Frisvold Hanssen (Stockholm University, Sweden): "Welcome to the Nordvision": Nordic Unity and Diversity as Televisual Representation
Christa Haring (University of Music and Dramatic Arts of Graz, Austria): Traditional Cuban music and jazz: Gonzalo Rubalcaba’s way of combining music coming from different cultures
David G. Hebert (Sibelius Academy, Finland): Visions of ‘Multiculturalism’ in Music Education
Sanna Karkulehto (University of Oulu, Finland): Intersections of gender, ‘race’, and sexuality in Nella Larsen’s Quicksand
Michalis Keffalas (Goldsmiths University of London, Great Britain): Students of Albanian descent and their musical tradition in Greek elementary schools. Conclusions and suggestions towards an intercultural sensitivity in Greek school education.
Antti-Ville Kärjä (University of Turku, Finland): Ridiculing Rap, Funlandizing Finns? Humour and parody as strategies of securing the other in popular music
Harm Langenkamp (Utrecht University, The Netherlands): Mythologizing the Silk Road: Multicultural Utopia and Globalization.
Hsiu-chuan Lee (National Taiwan Normal University, Taiwan): Historical Mimesis through Cinematic Time: Japanese American Internment in After Silence and American Pastime.
LeAnn Marie Lewis (University of Savoie, France): Ceci n’est pas un Hammam: bath performance as guerrilla theatre in Ill Bango Turco, Chuchote pas Trop and Les Femmes au Bain
Karoliina Lummaa (University of Turku, Finland): From multiculturalism to multinaturalism. Non-human perspectives on history in post-war Lappish nature poetry.
Thomas J. Lynn (Penn State Berks, USA): Painting and Multicultural Integration in Soyinka’s The Interpreters.
Sabine Marschall (University of KwaZulu-Natal, South Africa): Rainbow fading? Multicultural representation in public commemorative art in South Africa
Alain Neomee (Canada): I.D. VIDEO: a video-art pilot project for migrant youth in Montréal.
Hanna-Leena Nissilä (University of Oulu, Finland): Finnish Media Meet an Exotic Writer: The Reception of Ranya ElRamly’s Auringon asema
Jopi Nyman (University of Joensuu, Finland): Fictions of Refuge: Multiculturalisms on the Move
Helena Oikarinen-Jabai (University of Art & Design Helsinki, Finland): Throwing voices and retelling stories.
Fulya Ozlem (, Istanbul Technical University's State Conservatory of Turkish Music, Turkey): There is no World Music but there are musicians living-in-the-global-world.
Antonella Perna (University of Turku, Finland): Is Multiculturalism part of Modern Art Historiography?
Clara Petrozzi-Stubin (University of Helsinki, Finland): Multiculturalism and Peruvian Art Music
Ebraham Pournazaree (University of Jyväskylä, Finland): Multiculturalism: Multifathism and Multiextremism. Tolerance of Intolerant in Nordic Media
Minna Rainio (University of Art & Design Helsinki, Finland): Encounters with Refugees. The politics of the senses in the trilogy of video installations "If You Could See Me Now"
Miia Rantala (University of Lapland, Finland): Diversity in advertising – Representing ethnicity in tv-commercials
Eila Rantonen (University of Tampere, Finland): Communal Voice of Philippine Migrant Women in Edessa Ramos’s ‘Eleanor’s Kitchen’
Anne K. Rasmussen (The College of William and Mary, USA):Maintaining Multiculturalism: Advocacy, Arab America, and the Post 9/11 Culture of Caution
Matti Savolainen (University of Tampere, Finland): Spirituality and Political Activism in Indigenous Discourses: Jeannette Armstrong’s Slash, Empowerment and Healing.
Julia Tidigs (Åbo Akademi, Finland): Representing the Glory and Confusion of Babel. Multilingual Vyborg in Finland’s Swedish Literature.
Elina Valovirta (University of Turku, Finland): "Caribbean passion" as a Reparative Practice: The Hyper-sexual and the Asexual Woman in the Fiction of Opal Palmer Adisa and Erna Brodber.
Heidi Westerlund (Sibelius Academy, Finland): What does multiculturalism do in music education?